Day 1
In the beginning, God created the heavens and the earth. Now the earth was formless and empty, and darkness covered the deep, while the Spirit of God hovered over the waters.
God said, “Let there be light!” And there was light. God saw that the light was good, and He separated the light from the darkness. He called the light “day” and the darkness “night.”
And there was evening and there was morning: the first day.
Frattura primordiale A.I.
Soffio sulle Acque MomazArt
Luce che si accende A.I.
Concept 1 – “Primordial Fracture”
An almost completely black canvas, cut by a violent vertical white stroke that seems to tear through the darkness. Around the white, shades of gray “smoke” into the black, like light spreading and at the same time dissolving. Small calligraphic marks in soft gray evoke the echo of a primordial language, as if the separation between light and darkness were also the birth of meaning.
Concept 2 – “Breath over the Waters”
A very dark, yet uneven background, moved by layered textures of black and gray, with gentle waves and scratches suggesting liquid surfaces. From below rises a misty white, almost like a breath enveloping the space. Imperfect circular lines (white and gray) expand like ripples in water, representing the spirit hovering above.
Concept 3 – “Light Igniting”
At the center of the canvas, an irregular white halo seems to explode from an invisible core, like a cosmic spark. Gestural brushstrokes in light gray stretch outward, while areas of black remain impenetrable, creating a strong contrast. The effect is that of newly born light that has not yet conquered the entire space, but begins to give form to the formless.
Day 2
God said, “Let there be a firmament in the midst of the waters to separate the waters from the waters.”
God made the firmament and separated the waters under the firmament from the waters above the firmament.
And so it happened. God called the firmament “sky.”
And there was evening and there was morning: the second day.
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Taglio del firmamento A.I.
Acque sospese MomazArt
Nascita del cielo A.I.
Concept 1 – “The Cutting of the Firmament”
A black canvas crossed by a sharp but irregular horizontal white line, like a furrow of light dividing two worlds. Above and below, layers of fluid and restless grays evoke waters in tension, as if the separation has just occurred and the matter remains unsettled. Small gestural marks suggest a motion of rising and falling.
Concept 2 – “The Suspended Waters”
A very dark background, incised by broad vertical gray-white brushstrokes that fall like rain or rise like vapor. In the middle, a band of light gray creates a “suspended zone,” an ethereal veil alluding to the newly formed sky, fragile yet powerful. The gesture is fluid but charged with energy.
Concept 3 – “Birth of the Sky”
Layered, textured surfaces with areas of black and gray that blend like agitated water. At the center, a wide luminous opening – not a perfect circle, but an irregular gap – reveals a milky white, as if the sky is emerging for the first time from a fluid chaos.
Day 3
God said, “Let the waters under the sky be gathered into one place, and let the dry land appear.”
And so it happened.
God called the dry land “earth,” and the gathered waters He called “seas.”
And God saw that it was good.
And God said, “Let the earth bring forth sprouts, plants that bear seed, and fruit trees that bear fruit with seed, each according to its kind, upon the earth.”
And so it happened:
the earth brought forth sprouts, plants that bear seed, each according to its kind, and trees that bear fruit with seed, each according to its kind.
God saw that it was good.
And there was evening and there was morning: the third day.
Emersione A.I.
Acque raccolte A.I.
Germinazione MomazArt
Concept 1 – “Emergence”
A canvas of deep blacks and fluid grays, with large dark areas that seem to retract as if they were being sucked away. From below emerges a gray-white mass with texture, like a rock breaking through the surface of the water. Small, lighter gestural marks allude to hidden sprouts, suggesting the promise of life to come.
Concept 2 – “Gathered Waters”
Black occupies much of the canvas, but is broken by broad gray drips converging downward, as if drawn into a single basin. At the center remains a dark void, while light traces of white appear along the edges – the first signs of dry land emerging, like a memory of earth about to become visible.
Concept 3 – “Germination”
A dark, solid base, marked by horizontal, textured brushstrokes. From the black depths, thin ascending white traces stretch upward, like inverted roots turning into sprouts. They are not yet plants, but gestural marks creating a vertical rhythm, evoking the idea of the earth beginning to bring forth life.
Day 4
God said, “Let there be lights in the firmament of the sky to separate the day from the night; let them serve as signs for festivals, for days, and for years, and let them be lights in the firmament of the sky to illuminate the earth.”
And so it happened. And God made the two great lights: the greater light to govern the day and the lesser light to govern the night, and the stars.
God set them in the firmament of the sky to illuminate the earth, to govern the day and the night, and to separate the light from the darkness. God saw that it was good.
And there was evening and there was morning: the fourth day.
Luce Maggiore, luce Minore MomazArt
Firmamento stellato A.I.
Segni del tempo A.I.
Concept 1 – “Greater Light, Lesser Light”
On an intense black background, two areas of light emerge: one larger, textured and irregular, the other smaller and more diffuse. Around them, small white dots (like scratches of light) suggest the stars. The gesture is expressive and decisive, yet leaves spaces of emptiness, like a cosmic sky that breathes.
Concept 2 – “Starry Firmament”
Black texture rich in movement and gray veils; in the background, splashes and white traces spread, a luminous dust evoking the stars.
At the center, a lighter, more diffuse band suggests the idea of a firmament, like a “breath” separating day and night.
Concept 3 – “Signs of Time”
Layered, gestural black background, marked by arcs and curved lines in white and gray evoking orbits. Small luminous traces “float” like celestial bodies. Light is not a fixed point but a series of movements, as if the sky itself were drawing the seasons and cycles of time.
Day 5
God said, “Let the waters swarm with living creatures, and let birds fly above the earth, across the firmament of the sky.”
God created the great sea monsters and all the living creatures that move and swarm in the waters, each according to its kind, and every winged bird according to its kind.
God saw that it was good.
God blessed them: “Be fruitful and multiply, and fill the waters in the seas; let the birds multiply on the earth.”
And there was evening and there was morning: the fifth day.
Brulicare A.I.
Creature delle acque
MomazArt
Ali sopra il firmamento A.I.
Concept 1 – “Swarming”
A dense black background, crossed by wavy and broken white traces, like lines in constant motion. Irregularly distributed white and gray spots evoke the idea of chaotic “swarming” in the waters, without directly representing any creatures.
Concept 2 – “Creatures of the Waters”
Gestural and textured surface: white drips and splashes recall water spray. From the black base, barely suggested shapes emerge—curves and luminous segments hinting at “living” presences in motion, like shadows of sea creatures.
Concept 3 – “Wings above the Firmament”
A very dark background divided in two: the lower part with wavy, fluid marks (the waters), the upper part crossed by rapid white strokes, like flying traces. The contrast between the liquid calm and aerial movement evokes the idea of aquatic creatures and birds without depicting them.
Day 6
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God said, “Let the earth bring forth living creatures according to their kind: livestock, reptiles, and wild animals, each according to its kind.” And so it happened. God made the wild animals according to their kind, the livestock according to their kind, and all the reptiles of the ground according to their kind. God saw that it was good.
God said, “Let us make man in our image, according to our likeness: let them have dominion over the fish of the sea, the birds of the sky, the livestock, all the wild animals, and all the reptiles that crawl on the earth.”
So God created man in His own image;
in the image of God He created him;
male and female He created them.
God blessed them and said to them:
“Be fruitful and multiply,
fill the earth and subdue it,
have dominion over the fish of the sea and the birds of the sky,
and over every living creature that crawls on the earth.”
God said, “Behold, I give you every herb that yields seed and is on the face of all the earth, and every fruit tree that bears seed: they shall be your food. To all the wild animals, all the birds of the sky, and all creatures that crawl on the earth, in which there is the breath of life, I give every green herb for food.” And so it happened.
God saw all that He had made, and behold, it was very good.
And there was evening and there was morning: the sixth day.
Vita sulla terra A.I.
Impronta Umana MomazArt
Dominio e Armonia A.I.
Concept 1 – “Life on Earth”
A very dark background, broken by wavy white marks and thicker textured strokes that intersect like traces of presences: not figures, but gestures evoking animals and vital forms. In the background, areas of gray suggest expanding energy.
Concept 2 – “Human Imprint”
Layered texture, with curved brushstrokes and gestural marks intertwining, revealing an almost symmetrical form, like a “presence” at the center. White emerges decisively from black, evoking the idea of man appearing without depicting him directly.
Concept 3 – “Dominion and Harmony”
A gestural composition with ascending and horizontal lines, like a meeting of forces: some white marks are sharp, others soft and blended. The contrast between order and chaos evokes the concept of life in motion, but also the harmony God intends to establish between creatures and man.
Day 7
Thus the heavens and the earth were completed, along with all their hosts. On the seventh day, God completed the work He had done and ceased on the seventh day from all the work He had accomplished. God blessed the seventh day and consecrated it, because on it He had ceased from all the work of creation that He had done.
These are the origins of the heavens and the earth when they were created.
Silenzio sacro A.I.
Compimento MomazArt
Benedizione A.I.
Concept 1 – “Sacred Silence”
Uniform black background, yet not flat, with subtle gray veils creating a suspended atmosphere. At the center, a soft white patch without sharp edges, like a breath of stillness. No violent gesture: only balance and silence.
Concept 2 – “Completion”
Gestural but harmonized strokes: white and gray curves closing in a circular movement, suggesting the sense of completion and cyclicality. The composition conveys an idea of achieved order, without rigidity.
Concept 3 – “Blessing”
A dark background crossed by thin ascending lines, light as incense. Above, a delicate white light seems to “descend” and spread, evoking the idea of a consecrated day, of peace and protection.