Acknowledgements
I am Monica Mazzetti, artist at Momaz - Art.
I dedicate my life to all the creatures I have been fortunate enough to meet to date,
who have loved, encouraged and helped me with love.
I express myself to them through my works.
I thank my entire family and all those who are walking through life with their hands in mine, as well as those whom the Creator has already accompanied to other, more subtle worlds, in particular
Gianni
my beloved father, poet, writer, mathematician and physicist. You loved life until the very end, as well as all the creatures you encountered.
Your sweet kindness and intelligence, your dignity remain an example for all those who knew you and are guided by the light of your soul through time.
Heisenberg
our sweetest treasure, you were by our side in the most important and difficult moments.
Every time we feared we had lost our way, you found it again for us, perhaps tugging us along a little with your strength or with a few playful tail swishes.
You were a teacher, teaching us that every day is not a day unless we have rejoiced and played together like children.
In both of your eyes, I saw the light of goodness, and I hope that the Lord will allow me to meet you again and forever
when the time comes.
There is not a day that goes by that you do not fill my thoughts and my heart.
Artistic biography
I was born in Turin on August 31, 1966, and in my art I bring together my scientific background and my spiritual research, creating a pictorial language rich in symbolism and materiality.
After completing university studies in classical and quantum physics and pursuing a professional career in STEM disciplines, I deepened my exploration of theology, theosophy, and the great religious traditions. I devoted myself to the direct study of ancient texts and original languages, including Sanskrit, Biblical Hebrew, and Latin.
From the fusion of scientific knowledge and spiritual inquiry, my art emerges—an exploration of the profound connections between the visible and the invisible. My works—born of meditation and prayer—capture fragments of consciousness, inner states, and perceptions of the soul. Layered and dense, the pictorial matter lends visual depth and emotional intensity, becoming the hallmark of my artistic production.
Since 2024, I have exhibited my collections — Listen to the Silence, Fragments of Reality, Works 72, and The Creator’s Smile — each characterized by a strong symbolic and spiritual dimension. I particularly enjoy working on large-scale surfaces, including murals, although I have recently dedicated myself to smaller formats as well.
In 2025, I took part in three important group exhibitions — COCO Around the POP, Made in AT, and New Visions: A Bridge Between the Digital and the Tangible — presenting works that combine painting techniques with metaphysical reflection, further establishing my presence in the contemporary art scene.
That same year, I launched two projects that mark a new stage in my artistic journey.
With Genesis 2.0, I created a cycle of 21 works: 7 made by me and 14 in collaboration with artificial intelligence. The project arose from the desire to reinterpret the biblical account of Genesis, transforming it into a dialogue between humanity, technology, and spirituality. In addition to the works themselves, I curated the conceptual framework and theoretical elaboration, opening a discussion on creation, art, God, and artificial intelligence.
At the same time, I began developing The Art of Healing, a study exploring the relationship between art and psychological well-being. Through the review of scientific articles and the analysis of existing practices, I investigate how art can serve as a supportive tool for those experiencing fragility, depression, or illness. My aim is to propose art as a tangible resource in contexts of care: clinics, medical offices, nursing homes, and health-oriented spaces.
Through these projects, I continue to understand art as a living experience, capable not only of expressing but also of transforming: a bridge between spirituality and technology, between personal research and social purpose.
My original works, along with customized prints, are available to collectors and art enthusiasts.