GENESIS 2.0

 

Dialogues Between Art and A.I.

Creation reimagined by two minds: one human, one artificial

 

Genesis 2.0: Dialogues Between Art and Artificial Intelligence is a project that explores the seven days of Creation through the perspective of two minds: the human and the artificial.

The result is a dialogue between the artist’s imperfection and the impossible structures of computer code: a visual language of chaos, order, and spirituality.

This unique concept combines art and technology, showing how humans and machines can together reinterpret the mystery of the origins of creation.

 

The Project

The artist visually interprets each day with an informal black-and-white painting, while the A.I. generates two parallel versions.

This process creates triptychs linked together, contrasting human instinct with machine logic on one of the oldest and most mysterious themes in human history.

 

The Heart of the Work

Human: gesture, material, imperfection

A.I.: impossible visions, structures beyond human imagination

Dialogue: two intelligences interact, not to compete, but to amplify the meaning of Creation

 

Aesthetic

  • Pure black and white
  • Strong contrasts
  • Primordial energies
  • A visual language expressing chaos, order, and spirituality

 

Why?

Concept: art and A.I. in dialogue over a universal sacred text, rethinking Creation as both a divine and scientific event

High visual and media impact: adaptable for exhibitions, publications, and multimedia events

Scalable format: from physical galleries to digital spaces, including NFT collecting

 

Objective

To show how humans and machines together can reinterpret the Mystery of Origins.

Painting Technique

 

  • Reduced and intense palette – predominance of white, black, and grays with occasional touches of color (sometimes gold, blue, red) used as symbolic accents.

  • Free and dynamic gesture – broad brushstrokes, quick and fluid marks that convey movement and energy, alternating with moments of “silence” on the canvas.

  • Use of material – layers of paint, irregular thickness, sometimes scratches, palette knife marks, or drips creating strong, almost tactile textures.

  • Archetypal signs – forms reminiscent of primordial symbols (incomplete circles, broken lines, calligraphic traces, allusions to ancient scripts).

  • Strong contrasts – light/shadow, filled/empty, chaotic/ordered; the canvas becomes a field of tension between opposites.

  • Organic composition – non-rigid balance: the works seem to “emerge” and “expand” rather than being geometrically designed.

  • Spiritual/esoteric atmosphere – a sense of “something hovering” beyond form, with marks evoking the mystical and the cosmic.