GENESIS 2.0

DIALOGUES BETWEEN ART AND A.I.

The Creation recreated by two minds — one human and one artificial

Forever passionate about art and theology, I graduated in computer science and therefore approached this project with both suspicion and superiority.

As a software engineer and as an artist, I began from a pedestal that placed me far above “binary thinking”, convinced — perhaps more than ever — that many of the features advertised around A.I. today are amplified for reasons of economic convenience.

And yet, in the creative moment, A.I. managed to amaze me — and move me.

It has been a profound journey through science, faith, and the heart.

This project is a journey across the seven days of Creation, narrated by two minds that do not exclude one another, but intertwine: the imperfect intuition of the artist and the visionary logic of the algorithm.

Genesis 2.0 was born to explore what precedes language and transcends matter: the Mystery of Origins.

Each day of Creation takes shape as a triptych: a black-and-white informal painting by the artist encounters two translations generated by A.I.

A sharp dialogue emerges — at times harmonious, at times conflictual — between gesture and computation, instinct and structure, chaos and order.

It is not competition. It is not imitation. It is resonance.

Man offers gesture, matter, error. The Machine responds with impossible architectures and images that surpass human imagination. Together, they construct a new visual mythology in which Creation is both spiritual and algorithmic.

I adopted absolute black and white, crossed by deep greys and rare symbolic accents — gold, blue, red — like flashes of the sacred.

On the canvas, broad brushstrokes and fluid marks alternate with spaces of silence. The material stratifies into irregular textures, scratches, drips: origin is movement, vibration, friction.
Archetypal forms emerge and vanish: incomplete circles, fractured lines, traces of a primordial writing.

Each work is a field of tension between light and shadow, fullness and void, chaos and order — as if the image were not “designed” but generated spontaneously, as if it desired to be born by itself.

The surface of the artworks does not represent: it evokes.

Art and Artificial Intelligence converse through a universal sacred text, reimagining Creation as an event that is simultaneously divine and scientific.

The visual and conceptual impact is designed for galleries, publishing, multimedia installations, and digital contexts.
The format is scalable: from physical exhibition to online experience, all the way to NFT collecting.

The goal is to show that Man and Machine — far from cancelling one another — can generate new forms of knowledge and imagination.

Genesis 2.0 does not attempt to explain the Origins, but to reignite wonder before what we do not know.

A new creation is possible.

And it is a creation with two voices.