Project Statement

GENESIS 2.0

DIALOGUES BETWEEN ART AND A.I.

Creation recreated by two minds — one human and one artificial

 

Genesis 2.0: Dialogues Between Art and Artificial Intelligence is a project that explores the seven days of Creation through the vision of two minds: the human and the artificial.

The result is a dialogue between the imperfection of the artist and the impossible structures of digital code — a visual language of chaos, order, and spirituality.

This unique concept unites art and technology, revealing how human and machine can together reinterpret the mystery of the origins of creation.

THE PROJECT

The artist visually interprets each day with a black-and-white informal painting, while the A.I. generates two parallel versions of it.

Thus are born triptychs connected to one another, confronting human instinct with machine logic on one of the most ancient and mysterious themes in human history.

THE HEART OF THE WORK

Human: gesture, matter, imperfection.
A.I.: impossible visions, structures beyond human imagination.
Dialogue: two intelligences facing each other — not to compete, but to amplify the meaning of Creation.

AESTHETIC

Absolute black and white.
Sharp contrasts.
Primordial energies.
A visual language that speaks of chaos, order, and spirituality.

WHY?

  • Concept: art and A.I. in dialogue around a universal sacred text — rethinking Creation as both a divine and scientific event.

  • High visual and media impact, adaptable to exhibitions, publishing, and multimedia events.

  • Scalable format: from physical gallery to digital space, extending into NFT collecting.

OBJECTIVE

To show how Human and Machine, together, can reinterpret the Mystery of Origins.

 

Painting Technique

 

Reduced and intense palette – predominance of white, black, and grey, with occasional touches of color (sometimes gold, blue, or red) used as symbolic accents.

 

Free and dynamic gesture – broad brushstrokes, quick and fluid marks that convey a sense of movement and energy, alternated with moments of “silence” on the canvas.

 

Use of matter – layers of paint, irregular thicknesses, sometimes scratches, spatula work, or drippings that create strong, almost tactile textures.

 

Archetypal signs – forms that recall primordial symbols (incomplete circles, broken lines, calligraphic traces, allusions to ancient writings).

 

Strong contrasts – light/shadow, full/empty, chaotic/ordered; the canvas becomes a field of tension between opposites.

 

Organic composition – a non-rigid balance: the works seem to “emerge” and “expand” rather than being geometrically planned.

 

Spiritual / esoteric atmosphere – a sensation of “something hovering beyond form”, with signs that evoke the mystical and the cosmic.